FA 2001 Syllabus

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Overview

What is this document?

This document defines the mutual expectations and requirements for this class. Just as I am expected to fulfill my part of this agreement (as to my office hours, grading procedures, and class scheduling), students are expected to fulfill their parts of this agreement (by being prepared for class, submitting work according to the guidelines listed herein, and the like). Each student is responsible for reviewing this syllabus and making sure that its terms are understood.

If circumstances require changes to this agreement, the class will be notified both during one class session and via email.

What is this class about?

Per the English Department’s policy, work in English 101 should:

w       Manifest the interconnectedness of reading and writing.

w       Enable students to use academic discourse as a mode of inquiry and expression.

w       Include frequent assignments that take students through the entire writing process, including revision. This is essential to developing the skills necessary to compose academic discourse.

w       Introduce students to the processes integral to academic research: creative investigation and systematic library research; source interpretation, evaluation, and analysis; integration of ideas through summary, quotation, and paraphrase; use of designated documentation style; and adherence to standards of academic honesty.

          In other words, this class is a process of Reading, Thinking, and Writing. This process is rarely linear (Readingà Thinking à Writing); instead, R/T/W[1] is more like an intellectual box step—you read, think, read more, ponder harder, perhaps write (re-compose), thinking and reading and composing all at the same time.[2] Your work (written and oral) is expected to demonstrate process as well as results, culminating in a carefully contemplated, effectively organized, and dynamically composed argument.

Course Materials

Course Texts (syllabus abbreviation in parentheses):

Bartholomae, David, and Anthony Petrosky, eds. Ways of Reading. 5th ed. Boston: Bedford-St. Martin’s, 1999. (WR)

Lunsford, Andrea, and Robert Connors. The New St. Martin’s Handbook. Boston: Bedford-St. Martin’s, 1999. (SMH)

Additional Required Materials

w       2 Computer Disks (min.) for work. Because of the amount of writing/revision/editing required in this class, you are urged to use a word processor. Use (at least) one disk for your writing, and back up each session’s work to the other disk. You may even wish to save each draft (“save as”) with a different file name for your reference. Unfortunately, “my computer crashed” or  “my printer malfunctioned” is the 21st century version of “my dog ate my homework”; when it does happen, no one believes it. Plan ahead.

w       Stapler or Paper Clips (for written submissions of more than one page)

w       College Dictionary & Thesaurus (not the one bundled with your word processing program)


 

Suggested Additional Materials

w       3 Ring Binder/Folder: (NOT a spiral notebook) for your work, with your name, course number and section clearly marked. Keep all of your work together, so that you can access a draft or RR should you need to.

w       Correction fluid/tape (e.g. White Out™ or  Liquid Paper™) for editing workshops

w       2 Different colored pens/pencils (for editing workshops/second readings/self-correction)

Policies and Guidelines
The English Department Policy on Attendance and Academic Honesty [My notes in brackets]

Attendance: Our classes are communities in which we emphasize the process of learning. In order to create and sustain an environment in which students may participate responsibly and cooperatively in the learning process, regular attendance is essential. The value the English Dept. places on community and process is reflected and supported by the following policy on attendance:

1)  Absences: Students are counted absent when they miss a day of class. Absences are counted from the very first day that classes are scheduled to begin, regardless of when an individual student first begins attending class.

2)  Undocumented Absences: For a class that meets twice a week, students are allowed two undocumented absences. Within these limits, students need present no excuse for their absence, nor will faculty penalize them. It is assumed that undocumented absences will be reserved for emergencies. Students are responsible for assigned work.

3)  Documented Absences: Students who miss classes beyond the quota of undocumented absences must give their instructors a reason for their absence. In the case of illness, students must provide written verification. Instructors may request written verification for other reasons as well. Depending on the reason, and verification thereof, instructors may or may not penalize students for absences beyond the quota of undocumented absences (see #2) but not excessive (see #4). Students are responsible for assigned work.

4)  Excessive Absences: Students who accumulate excessive absences, for whatever reason, will receive a grade of F in the course. For a class that meets twice a week, six absences are excessive.

5)  Extenuating Circumstances: An extenuating circumstance, such as prolonged illness, may cause an extended absence. For students in such extenuating circumstances, instructors may file for a late withdrawal, provided that students present written verification. Specifically, students with an extended absence of six or more days should present instructors with an extended absence card obtained from the Counseling Office (see Student Handbook). Students with an extended absence of fewer than six days should provide instructors with a written verification, such as a doctor's note. [Absence affects the quality of participation and performance on essays, assignments, and exams. Therefore, more than two absences will affect your grade. Furthermore, after an absence, you are expected to return to class with readings and assignments up to date. Attending this class means more than being physically present. You are expected to come to this class having read (and re-read), reflected, and written. If you are not prepared, you will earn with partial absence (still, it’s better to be in class than out of it). Chronically late students will be penalized with a partial absence, or, should the situation continue, a full absence.]

Academic Honesty: Plagiarism, cheating, and other forms of academic dishonesty are serious offenses. Dishonesty in written work will result in a grade of F in the course. In addition, dishonesty is adequate cause for disciplinary action by the Office of the Dean of Academic Affairs. See the section on "Academic Honesty" in the Student Handbook.       [Note: You are required to read SMH 42d (“Recognizing plagiarism and acknowledging sources”). If you are unsure of how to properly cite information (or whether or not you should cite it), ASK. Plagiarism (regardless of intent) is grounds for failure in this class.] Policy Revised Fall 1990.

Late Assignments
Assignments received after 7:15 on the date due are late and the resulting grade will be lowered one level. If you will be absent, the work must be in my mailbox prior to 5:45 on the date due; otherwise, it is late. If your assignment will not be ready on time, contact me prior to 5:45 on the date due to make arrangements. Emailed assignments are not accepted without prior consent.

Cancellation of Class

If the weather is inclement, call SCSU Weather Check (203) 392-5520. Commuters should use their discretion if driving conditions are or may become hazardous. If you should come to class and there is no posted notice of cancellation, begin the assignment for the day (workshop, RR’s, etc.). If I am not in the classroom fifteen minutes after the beginning of class (without communication), you may assume that class is canceled. Leave a signed attendance list in my mailbox along with any work that is due. Keep up with the assignments on the syllabus.

Accommodations

Students with disabilities will need to make an appointment with the Disability Resource Office (EN 15) in order to receive course accommodations in this class. However, if you have other information you would like to speak with me about, if you have emergency medical information to share with me, or if you need special arrangements in case the building must be evacuated, please make an appointment with me as soon as possible.

Grading Policy

The grading structure of this class is designed to emphasize improvement. If you revise an essay, you will earn the revised grade (which may be higher or lower than your original). We will develop the grading criteria for each essay. Generally, grades represent the following evaluations (with +/- further defining the spectrum):

w       A: outstanding work. Well-argued and analyzed. Carefully considered and drafted.  Few (if any) errors in grammar. Vocabulary is rich and precise.

w       B: work well done. Demonstrates effort and careful consideration. An effective analysis. Few grammatical errors.

w       C: average work. Fulfills minimum requirements for assignment.

w       D: poor work. Grammatical, organizational, and content errors. Incomplete analysis.

w       R: Work must be revised in order to earn credit.

w       F: unacceptable or non-existent work.

Submission Format

REMEMBER TO CREATE A TITLE FOR YOUR WORK THAT WILL CAPTURE YOUR READER’S INTEREST!

Word Processing: Workshop drafts and final versions must be word-processed. If you do not have a computer, use the labs at SCSU. SMH assignments and RR’s may be handwritten; write legibly!

Format (document design): All essays to be submitted using MLA Format/Citation. Follow SMH Sec. 51e (661) and 51b (pagination, fonts, spacing and margins). For an example of proper pagination, spacing, and margins, see sample paper on pp. 540-63. Last name and page number should appear in the upper right corner of essay. Essays are to be double-spaced. Use an Arial, Helvetica, Times, or Courier font (or equivalent) at either a 10 or 12 point size. Please staple pages.

Quotations, Summary, and Paraphrasing: Documentation according to MLA (Modern Language Association) standards. See SMH 42d and 44; will also be reviewed in class.

w       With your essay, submit your reading journal, outline and/or clustering, and notes. Make sure your last name is noted on each page, and staple to your essay.

w       If essay is a revision, submit the graded essay and grading sheet with revision.

The key to my correction marks is in the back pages of SMH. Numerical notations refer to the “Twenty Most Common Surface Errors.” You are expected to familiarize yourself with the notation for a) your own revision/editing process and b) for helping peers during workshop.

Graded work (essays, RR’s, and grammar) can be picked up at the faculty mailroom in TE6.

 

Assignments/Grade Values/Schedule

 

Due

Assignment

Val.

All

Class Participation (includes Workshops [WS] and pop quizzes)

10%

All

Listserv (LS)[3] Contributions

5%

All

Reader Responses (RR)[4]

5%

TBA

Oral Presentation I: Grammar Lesson (10-20 mins.)

5%

10/23

Essay I: (750 wds. plus Outline, Cover Letter, & Works Cited)

5%

 

Essay II: (750 wds. plus Outline, Cover Letter, & Works Cited)

10%

 

Essay III: (1250  wds. plus Outline, Cover Letter, & Works Cited)

10%

10/18

Midterm: Grammar

2%

12/13

Final Exam: (Cumulative) Grammar

3%

 

Researched Analysis Project:

0%

10/9

Research Proposal (500 words, plus an outline). See SMH 43.a.2 (explicit thesis statement) and 43.c.1 (drafting a working title and introduction).

5%

 

Annotated Works Cited. Minimum 10 sources.

10%

12/20

Oral Presentation II: Research Paper (5-10 mins.)

5%

12/13

Researched Analysis (2000 words minimum plus Works Cited, Outline, and Cover Letter). See SMH 43 for details. Min. 7 sources (not including reference materials)

25%

 

 

 

 

Schedule (subject to revision as necessary)

Assignments are listed on the day that they are due—therefore, be sure to read ahead. If Grammar is listed, review section for class (you may be quizzed on information) and complete assignment.

9/6

Course Introduction and syllabus review. SMH: 7 [Note: Grammar assignments are listed by chapter and section; therefore, SMH 7 indicates chapter 7 of The New St. Martin’s Handbook).] WS: Once/Now exercise.

9/11

SMH: Review “Note to Students” (xv-xix). SMH 8 (Review for comprehension) WR: Read preface and introduction. Prepare RR. LS: Sign up for the listserv by emailing English101-subscribe@topica.com from your email account (if you’d prefer, there is an entry form at cundrie.com/english101). You will receive a “challenge” email to which you must reply in order to subscribe. WS: Review and discuss RR’s. Once/Now due.

9/13

WR: Richard Rodriguez, “The Achievement of Desire” (621-42). Prepare RR. SMH: 9 (Review for comprehension) LS: Sign up for the listserv by this date. WS: Review and discuss RR’s. Sign up for Grammar Oral Presentations.

9/18

LS: Review SMH 2i (“Understanding Online Contexts” and “Considering Specific Online Rhetorical Issues”) and the sample listserv posting in 51e (page 668). For your first listserv assignment, provide “Links to Yourself.” The subject of your post should contain your name (first name and last name initial is fine) and an interesting tag—like “all about <name>” or “links to <name>.” Your post should be an introduction (50-100 words) telling the other listserv members a bit about yourself—perhaps where you’re from, your interests, and anything else about you that you’d want people to know. Then, list five sites (give the address so we can visit too!) that you often check out on the web (if you go online), and explain why you visit there. If you’re a “net newbie” you may want to use a search engine like google.com or yahoo.com to find some online sites that reflect your interest. Post those for us to check out as well. WR: Continue discussion of Rodriguez.

9/20

SMH: Citation/MLA/Research Review. WR: Read selection from Richard Hoggart (875-83). Prepare “Questions for a Second Reading” (yes, you are expected to do a second reading (min.) for this and all selections for class). SMH 16. Sign up for Grammar Presentations.

9/25

LS: Plagiarism & Writing WS (assignment will be posted online). WR: Carolyn Kay Steedman, “Exiles” (645-71). Prepare RR. SMH  17 (Presentation).

9/27

[NO CLASS] Begin research to uncover/refine your research topic. Draft brief outline of your proposed research, beginning with the question you wish to answer through your research. LS: Plagiarism and Writing Workshop (cont.)

10/2

Library Instruction Session (Buley): Meet in the Electronic Classroom, BU17 (basement level). This session will cover many facets of your research project. BE ON TIME! Make sure you’ve prepared your Research Question/Outline. LS: Plagiarism and Writing Workshop (cont.) You may wish to allow yourself time following this session to begin library research.

10/4

Research Question /Outline Due (bring 2 copies—one for WS). WS: Begin drafting Research Proposal (RP). WR: Steedman cont. SMH 14 (Presentation)

10/9

WS: RP (2 copies) WR: Steedman cont. SMH 18 (Presentation).

10/11

RP Due. SMH 19 (Presentation). WS: Essay I draft (“Making Connections” #2 or #3 [641-642]).

10/16

WS: Essay I (2 copies) SMH 20 (Presentation). Midterm Review.

10/18

Midterm (in EN 1)

 

The following is a tentative schedule. Some changes may be made as semester progresses. Some listserv assignments will be posted to the list.

 

10/23

Essay I Due (750 wds. plus Outline, Cover Letter, & WC). SMH 21 (Presentation). WS: Intro. to AWC

10/25

WR: Susan Griffin, “Our Secret” (402-455). Prepare RR. LS: Griffin’s History.

 

10/30

SMH 22 (Presentation). WR: Griffin cont. WS: AWC (sources/write abstracts)

 

11/1

SMH 23 (Presentation). WR: Griffin cont. WS: AWC (format and citation)

 

11/2

Note: Last Day for Course Withdrawal

11/6

AWC Due (min. 10 sources) SMH 24 (Presentation). WR: Griffin cont.

 

11/8

SMH 25 (Presentation). WS: Essay II

 

11/13

SMH 26 (Presentation). Essay II Due (750 wds. plus Outline, Cover Letter, & WC)

 

11/15

SMH 27 (Presentation). WR: Adrienne Rich, “When We Dead Awaken: Writing as Revision” (603-19). Prepare RR. LS: Rich’s Sources

 

11/20

SMH 29 (Presentation). Sign up for the Exquisite Corpse.

 

11/22

NO CLASS (Thanksgiving Recess)

11/27

SMH 28 (Presentation). RP Outline due for WS/Submission.  WS: RP Outline (2 copies)

 

11/29

SMH 30 & 31 (Presentation). WS: Essay III (2 copies)

 

12/4

SMH 32 & 35 (Presentation). WS: Essay III (2 copies)

 

12/6

SMH 33 & 34 (Presentation). Essay III Due (1250  wds. plus Outline, Cover Letter, & WC). WS: RP Proofing & Editing

 

12/11

Course Evaluations. SMH 37 (Presentation). WS: RP Proofing & Editing. Final Review. Note: Last day to drop (with a transcript notation of WP or WF) with Instructor’s Permission; failure or poor grades is not sufficient reason to drop. Request for late withdrawal must be made in writing: I will review and contact you with decision.

12/13

Research Paper Due (2000 wds. min. plus Outline, Cover Letter, & WC). Final Exam.

 

12/20

LS: Post your farewell to the list. Oral Presentations: 7:30-9:30 pm in EN 1 (Tentative)

 

 


 

[1] Based on Ann E. Berthoff’s Forming/Thinking/Writing

[2] Again, Berthoff and her concept of allatonceness.

[3] A listserv (LS) is an online discussion list. This LS is open only to students of the classes that I teach at SCSU. Once you’ve subscribed, any email that you send to English101@topica.com forwards your email to everyone else who is subscribed to the list. The LS is your opportunity to discuss, consider, refine, and rethink what we have read and discussed in class.  Also, by posting to the LS, you continue to hone your writing skills in a medium that requires a different type of writing, one that needs to be precise yet brief. LS assignments are due (meaning they must be posted online) by noon the day listed.

[4] The RR (250 wds. min.) is an informal response (meaning that your ideas are still forming, not that the work is shoddy) that addresses a concept within, connection to, or disagreement with the text(s) in a manner consistent with the guidelines of academic discourse. You are encouraged to respond to “Engaging the Text” or “Exploring Connections” located after each selection. The RR IS NOT A SUMMARY; IT IS YOUR INFORMED ANALYSIS. You often will be called upon to share your RR’s with the class, and will submit them for a ü+,ü, or ü-.

Copyright 2003-2005 Andrea L. Beaudin (except where otherwise noted). All other works property of their respective copyright owners. All Rights Reserved. Redistribution, reposting, or other use of these materials without prior written consent is prohibited.  To request permission to redistribute the materials on this site, please  me.