SP 2002 Syllabus

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I.        Course Description and Objectives (Theory)

A.      Academic Foundations

1.      Department Requirements

2.      Instructor’s Goals

B.      Student Rights & Responsibilities

1.      Role of Syllabus

2.     

Because you’ll often be outlining your work, it’s only fair that I outline this syllabus.

 

Yes, the syllabus is long—it’s your resource for this class.

 

 

This document and
related assignments will also be posted to
Cundrie.com/English101

 

Prerequisite Skills

3.      Information for Students with Special Needs

4.      Information for Multilingual Students

5.      Grade Evaluation

a)      Quality and Substance of Written Work

b)      Participation and Effort

c)       Late Work

d)      Class Cancellation

e)      Attendance Policy

f)       Academic Honesty

II.      Course Work (THE THEORY IN Practice)

A.      Class Textbooks/Materials

1.      Required

2.      Optional

B.      Assignments and Grade Distribution

1.      Participation/Workshop

2.      Listserv Assignments

3.      Essays based on Ways of Reading

4.      Research Project

a)      Research Proposal

b)      Research Presentation I (Proposal)

c)       Annotated Works Cited

d)      Research Paper

e)      Research Presentation II (Defense)

f)       Process Work

5.      Grammar Oral Presentation

C.      Written Work Submission Format/Design

1.      Listserv Assignments

2.      All Other Written Work

a)      Word Processing

b)      Format

c)       Citations: Quotations, Summary, and Paraphrasing

d)      First Submission

(1)    Cover Letter
(2)    Outline
(3)    Works Cited

e)      Revision (if applicable)

D.      Schedule of Classes, Readings, and Writings

 

Course Description and Objectives (Theory)

Academic Foundations (What’s this class about?)

According to the English Department Policy on Quantity of Written Work, the total production of written work for this class should be approximately 6,000 words, 2,000 of which are to be devoted to a research essay. Furthermore, work in English 101 should:

§         Manifest the interconnectedness of reading and writing.

§         Enable students to use academic discourse as a mode of inquiry and expression.

§         Include frequent assignments that take students through the entire writing process, including revision. This is essential to developing the skills necessary to compose academic discourse.

§         Introduce students to the processes integral to academic research: creative investigation and systematic library research; source interpretation, evaluation, and analysis; integration of ideas through summary, quotation, and paraphrase; use of designated documentation style; and adherence to standards of academic honesty.

§         Assume a greater degree of sophistication in student reading and writing than in ENG 100 and prepare students for future writing tasks at the University.

In designing this class, I have strived to integrate and reinforce the importance of research and reflection. This is not a class for the regurgitation of information. We will focus on developing and enhancing critical thinking skills and proposing, analyzing, arguing against, and at times refuting the concepts that emerge from readings, musings, and discussions. We will use different media—from oral presentations and internet discussion lists to the “basic” academic essay—to conduct and continue our conversations. Most importantly, remember that this is a class that stresses revision—expect to revise your arguments as well as your essays, especially after you consider others’ points during discussion.

Students’ Rights and Responsibilities

Syllabus                 This syllabus is a contract. It defines the mutual expectations and requirements for this class. Just as I am expected to fulfill my part of this agreement (as to my office hours, grading procedures, and class scheduling), you are expected to fulfill your parts of this agreement (by being prepared for class, submitting work according to the guidelines listed herein, and the like). Each student is responsible for reviewing this syllabus and making sure that its terms are understood. If circumstances require changes to this agreement, the class will be notified both during one class session and via email.

Prerequisites                   Course work in 101 assumes that you are building upon a foundation set in college-level English classes. It is expected that you are familiar with MLA citation and general grammatical terms. To be a student in English 101, it is REQUIRED that you a) have taken and PASSED English 100 (if you’re a transfer, you will have taken the equivalent at another university or college) or b) were placed in 101 without a pre-requisite due to your score on the composition placement exam. If neither a nor b apply to you, you are in the wrong class.

Special Needs                   Students with disabilities will need to make an appointment with the Disability Resource Office (EN 15) in order to receive course accommodations in this class. However, if you have other information you would like to speak with me about, if you have emergency medical information to share with me, or if you need special arrangements in case the building must be evacuated, please make an appointment with me as soon as possible.

Multilingual            Multilingual students are encouraged to check out Part 11 (“For Multilingual Writers: Mastering the Nuances of English) of The New St. Martin’s Handbook. Additional resources are available, both online and offline.

Grading                  The grading structure of this class is designed to emphasize improvement. If you revise an essay, you will earn the revised grade (which may be higher or lower than your original). We will develop the grading criteria for the essays. Generally, grades represent the following evaluations (with +/- further defining the spectrum):

§         A: outstanding work. Well-argued and analyzed. Carefully considered and drafted.  Few (if any) errors in grammar. Vocabulary is rich and precise.

§         B: work well done. Demonstrates effort and careful consideration. An effective analysis. Few grammatical errors.

§         C: average work. Fulfills minimum requirements for assignment.

§         D: poor work. Grammatical, organizational, and content errors. Incomplete analysis.

§         R: Work must be revised in order to earn credit.

§         F: unacceptable or non-existent work.

Late Assignments              Assignments received after class on the date due are late. The resulting grade will be lowered one level. If you will be absent, the work must be in my mailbox before 5:00 on the date due; otherwise, it is late. If your assignment will not be ready on time, contact me before 5:00 on the date due to make arrangements. Emailed assignments are not accepted.

Cancellation of Class         If the weather is inclement, call SCSU Weather Check (203) 392-5520. Commuters should use their discretion if driving conditions are or may become hazardous. If you should come to class and there is no posted notice of cancellation, begin the assignment for the day. If I am not in the classroom fifteen minutes after the beginning of class (without communication), you may assume that class is canceled. Leave a signed attendance list in my mailbox along with any work that is due. Keep up with the assignments on the syllabus.

The English Department Policy on Attendance and Academic Honesty [My notes in brackets]

Attendance: Our classes are communities in which we emphasize the process of learning. In order to create and sustain an environment in which students may participate responsibly and cooperatively in the learning process, regular attendance is essential. The value the English Dept. places on community and process is reflected and supported by the following policy on attendance:

1)    Absences: Students are counted absent when they miss a day of class. Absences are counted from the very first day that classes are scheduled to begin, regardless of when an individual student first begins attending class.

2)    Undocumented Absences: For a class that meets twice a week, students are allowed two undocumented absences. Within these limits, students need present no excuse for their absence, nor will faculty penalize them. It is assumed that undocumented absences will be reserved for emergencies. Students are responsible for assigned work.

3)    Documented Absences: Students who miss classes beyond the quota of undocumented absences must give their instructors a reason for their absence. In the case of illness, students must provide written verification. Instructors may request written verification for other reasons as well. Depending on the reason, and verification thereof, instructors may or may not penalize students for absences beyond the quota of undocumented absences (see #2) but not excessive (see #4). Students are responsible for assigned work.

4)    Excessive Absences: Students who accumulate excessive absences, for whatever reason, will receive a grade of F in the course. For a class that meets twice a week, six absences are excessive.

5)    Extenuating Circumstances: An extenuating circumstance, such as prolonged illness, may cause an extended absence. For students in such extenuating circumstances, instructors may file for a late withdrawal, provided that students present written verification. Specifically, students with an extended absence of six or more days should present instructors with an extended absence card obtained from the Counseling Office (see Student Handbook). Students with an extended absence of fewer than six days should provide instructors with a written verification, such as a doctor's note. [Absence affects the quality of participation and performance on essays, assignments, and exams. Therefore, more than two absences will affect your grade. Furthermore, after an absence, you are expected to return to class with readings and assignments up to date. Attending this class means more than being physically present. You are expected to come to this class having read (and re-read), reflected, and written. If you are not prepared, you will earn with partial absence (still, it’s better to be in class than out of it). Chronically late students will be penalized with a partial absence, or, should the situation continue, a full absence.]
Academic Honesty: Plagiarism, cheating, and other forms of academic dishonesty are serious offenses. Dishonesty in written work will result in a grade of F in the course. In addition, dishonesty is adequate cause for disciplinary action by the Office of the Dean of Academic Affairs. See the section on "Academic Honesty" in the Student Handbook. [Note: You are required to read SMH 42d (“Recognizing plagiarism and acknowledging sources”). If you are unsure of how properly to cite information (or whether or not you should cite it), ASK. Plagiarism (regardless of intent) is grounds for failure in this class.]     Policy Revised Fall 1990.

 

Course Work (The Theory in Practice)

Materials

Required (syllabus abbreviation in parentheses):

Bartholomae, David, and Anthony Petrosky, eds. Ways of Reading. 5th ed. Boston: Bedford-St. Martin’s, 1999. (WR)

Lunsford, Andrea, and Robert Connors. The New St. Martin’s Handbook. Boston: Bedford-St. Martin’s, 1999. (SMH)

§         2 Computer Disks (min.) for work.

§         Stapler or Paper Clips (for written submissions of more than one page)

§         College Dictionary & Thesaurus (not the one bundled with your word processing program)

Optional

§         Correction fluid/tape (e.g. White Out™ or  Liquid Paper™) for editing workshops

§         2 Different colored pens/pencils (for editing workshops/second readings/self-correction)

Assignments and Grade Distribution

Due

Assignment

Val.

All

Class Participation (includes Workshops [WS] and pop quizzes)

Evaluation based on preparation and meaningful input that adds to our community

8%

All

Listserv (LS)[1] Contributions (due by noon the day listed)

Evaluation based on timely and thorough completion of the assignments.

7%

 

Oral Presentation I: Grammar Lesson (10-20 mins.) (See SMH 50 for guidelines. Your purpose is to instruct the class.)

5%

 

Essay I: Freire in Reality. (250 wds. plus Outline, Cover Letter, & Works Cited)

5%

 

Essay II: Rich and the Canon (400 wds. plus Outline, Cover Letter, & Works Cited)

6%

 

Essay III: A “Pratt-sian”  Study (700  wds. plus Outline, Cover Letter, & Works Cited)

7%

 

Essay IV: Griffin’s Methods (700  wds. plus Outline, Cover Letter, & Works Cited)

7%

 

Essay V: Writing in the First Person. (1250 wds. plus Outline, Cover Letter, & Works Cited)

10%

 

Research Project:

0%

 

Research Proposal (700 words, plus an outline)

5%

 

Annotated Works Cited. Minimum 10 sources.

10%

 

Process Work: Research Question / Outline/ Citation Exercise / Draft

5%

 

Researched Analysis (2000 words minimum plus Works Cited, Outline, and Cover Letter). See SMH 43 for details. Min. 7 sources (not including reference materials)

20%

 

Oral Presentation II: Research Paper (5-10 mins.)

5%

 

Written Work Submission Format/Design

Listserv Assignments         See the sample on page 668 of SMH. Make sure you have an appropriate subject line and don’t forget to sign your posts!

All Other Written Work

Remember to create a title for your work that will capture your reader’s interest!

§         Word Processing: Workshop drafts and final versions must be word-processed. If you do not have a computer, use the labs at SCSU.

§         Format (document design): Use MLA Format/Citation. Follow SMH Sec. 51e (661) and 51b (pagination, fonts, spacing and margins). For an example of proper pagination, spacing, and margins, see sample paper on pp. 540-63. Last name and page number should appear in the upper right corner of essay. Essays are to be double-spaced. Use an Arial, Helvetica, Times, or Courier font (or equivalent) at either a 10 or 12 point size. Please staple pages.

§         Quotations, Summary, and Paraphrasing: Documentation according to MLA (Modern Language Association) standards. See SMH 42d and 44; will also be reviewed in class.

§         First Submissions: Each of your essays submitted should include:

§         Cover Letter: A short letter in which you may ask your reader to note certain strengths and/or weaknesses in your writing. Use the Letter of Application (SMH 666) as a guide.

§         Outline: A formal outline of your work.  Your outline may be a part of your drafting process or it may be a part of your editing process, but it should be a part of your writing. See SMH 3e for guidance.

§         Works Cited: Whether you quote a source directly, paraphrase it, or summarize, it should be both noted in the body of your essay and be fully cited on your Works Cited page.

§                     Revisions: If essay is a revision, submit the graded essay and grading sheet with revision.

 

The key to correction marks is in the back pages of SMH. Numerical notations refer to the “Twenty Most Common Surface Errors.” You are expected to familiarize yourself with the notation for a) your own revision/editing process and b) for helping peers during workshop.

 

Graded work can be picked up in the box marked “Beaudin 101” on the floor underneath my mailbox in the faculty mailroom in TE6.

 

Schedule (subject to revision as necessary)

Assignments are listed on the day that they are due—therefore, be sure to read ahead. If Grammar is listed, review section for class (you may be quizzed on information).

1/23

Course Introduction and syllabus review. SMH: 7 (Grammar is listed by chapter and section; therefore, SMH 7 indicates chapter 7 of The New St. Martin’s Handbook). Once/Now.

1/28

SMH: Review I 1-35 (the tan Introduction pages). SMH 8 (Review for comprehension) WR: Read Paolo Freire, “The ‘Banking’ Concept of Education.” Listserv: Sign up for the listserv by emailing English101-subscribe@topica.com from your email account. You will receive a “challenge” email to which you must reply in order to subscribe. Once/Now due.

1/30

SMH: 9 (Review for comprehension) Listserv: Introduce yourself to the list (to post to the list, send your email English101@topica.com. You must be subscribed to the list to be able to post). Review SMH 2i (“Understanding Online Contexts” and “Considering Specific Online Rhetorical Issues”) and the sample posting in 51e (page 668). Your introduction should include a brief bio telling the other listserv members a bit about yourself—perhaps where you’re from, your interests, and anything else about you that you’d want people to know and links (with your brief explanations) to sites on the internet that interest you and why. If you’re a “net newbie” you may want to use a search engine like google.com or yahoo.com to find some online sites that reflect your interest. WR: Prepare “Questions for a Second Reading” for discussion. In class: continue discussion of Freire. Drafting Research Question (a brief statement as to what topic you would like to understand or make sense of through research and reflection and why—this will develop into your research proposal).

2/4

Research Question due.  SMH: Citation/MLA/Research Review. In class: sign up for Grammar Presentations. Listserv: find two internet sites that “teach” the same topic—one using the banking concept and the other using the problem-posing approach. Provide links to the sites, and critique how both fail or achieve their goals. In class: intro. to Essay 1.

2/6

SMH 16 (Presentation). In class: workshop Essay 1.


 

 

2/11

SMH: 16 (Fragments). Workshop: Essay I.

2/13

We will meet in Buley 17 (basement—across from bathrooms) for library instruction class. BE ON TIME. Listserv: research internet sites that focus on academic honesty and the issue of plagiarism. Review two sites, noting the identity of the author/editor(s) and credentials, the thesis of the work, and the resources provided. To conclude, state your definition of plagiarism and what, if anything, you’ve learned through your research. Essay I Due.

2/18

NO CLASS

2/20

SMH: 49 (Writing about Lit.). WR: Adrienne Rich, “When We Dead Awaken: Writing as Re-Vision.”

2/25

SMH: 13 (Pronoun Reference). Listserv: Research one of the historical figures/terms that Rich uses in her essay; you have a broad spectrum of choices, so try not to duplicate others’ research. Post your findings (citing your sources, of course) to the list. Remember: this is YOUR understanding of your research—don’t just cut and paste sources together. *Write ONE LINE of poetry to hand in for class.

2/27

SMH: 14 (Shifts). In Class: Overview of Research Paper Proposal. Our Exquisite Corpse. WR: Prepare “Questions for a Second Reading.”

3/04

SMH: 15 (Comma Splices, Fused Sentences). Prepare draft of Proposal for class. Workshop: Research Paper Proposal.

3/06

SMH: 17 (Modifiers). Research Paper Proposal Due. In Class: Overview of Rich Essay (II).

3/11

SMH: 18 (Consistent, Complete Structures). Workshop: Rich Essay.

3/13

SMH: 48 (Disciplinary Discourse). WR: Mary Louise Pratt, “Arts of the Contact Zone.” Essay II due.

3/18

SMH: 19 & 20 (Effective Sentences & Coordination, Subordination). WR: Prepare “Questions for a Second Reading.” In Class: Introduction to the Annotated Works Cited.

3/20

SMH: 21 & 22 (Parallelism & Varied Sentences). Listserv: Find an internet site that portrays an art of the contact zone. Present link to site and defend your claim, considering and perhaps employing some of Pratt’s methods. Workshop: Prepare five Annotated Works Cited entries.

3/25 & 3/27: SPRING BREAK

4/1

SMH: 25 & 26 (Dictionaries & Vocabulary). Annotated Works Cited Due.

4/3

SMH: 30 (Commas). In Class: Overview of Pratt Essay (III).

4/8

SMH: 32 & 33 (End Punctuation & Apostrophes). Workshop: Pratt Essay.

4/10

SMH: 34 (Quotation Marks). WR: Susan Griffin, “Our Secret.” Essay III due.

4/15

SMH: 35 (Other Punctuation). In Class: Overview of Research Paper Outline. Listserv: Research one of the historical figures/terms that Griffin uses in her essay; try not to duplicate others’ research. Post your findings (citing your sources, of course) to the list. Remember: this is YOUR understanding of your research—don’t just cut and paste sources together. WR: Prepare “Questions for a Second Reading.”

4/17

SMH: 36 (Capitals). WR: Griffin cont.

4/22

SMH: 37 (Abbreviations & Numbers). Research Paper Outline Due. In Class: Bring one of your sources in for a citation exercise.

4/24

SMH: 38 (Italics). Citation Exercise Due. In Class: Overview of Griffin Essay (IV).

4/29

SMH: 39 (Hyphens). Workshop: Griffin Essay. In Class: Review of Research Draft.

5/1

Essay IV Due. Workshop: Research Paper Draft.

5/6

Workshop: Research Paper Draft. Last day to drop (WP or WF) with instructor’s permission (poor grade is not sufficient reason to drop). Request must be made in writing: I will review and contact you with decision.

5/8

Research Paper Due. Workshop: Essay V.

 

Research Paper Oral Presentations. Essay V Due.

 


 

[1] A listserv (LS) is an online forum for you to discuss, consider, refine, and rethink what we have read and discussed in class. By posting to the LS, you continue to hone your writing skills in a medium that requires a different type of writing, one that needs to be precise yet brief. This LS is open only to students of the classes that I teach at SCSU. Once you’ve subscribed, any email that you send to English101@topica.com forwards your email to everyone else who is subscribed to the list.

Copyright 2003-2005 Andrea L. Beaudin (except where otherwise noted). All other works property of their respective copyright owners. All Rights Reserved. Redistribution, reposting, or other use of these materials without prior written consent is prohibited.  To request permission to redistribute the materials on this site, please  me.